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Nietzsches Overman & metamorphosis

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“Overman” refers to Nietzsche’s conception of a man who has literally overcome himself and human nature. In essence, an Overman is one who has superseded the bondage of the human condition and reached a liberated state of free play and creativity. This state can be seen as the state of the pure individual, a person unencumbered by the influences and authorities of society and other people. This person wills their own destiny, creates their own values, and dances with the game of life to the tune of their own spirit.

In Thus Spoke Zarathustra, Nietzsche writes of three spiritual metamorphoses that must be undergone for the individual to reach the state of Overman. These transformations are rather prescriptive in nature, and thus can be seen as a sort of guide to becoming Overman, or liberating one’s spirit.



#1: The Camel
“What is difficult? asks the spirit that would bear much, and kneels down like a camel wanting to be well loaded. What is most difficult, O heroes, asks the spirit that would bear much, that I may take it upon myself and exult in my strength?”

Following this passage Nietzsche continues to list many things that one may consider to be the most difficult or trying of one's life experiences. The point here being that the camel must invite these burdens in order to complete the first of these three metamorphoses. One must battle with fear, love, truth, death, confusion, thirst for knowledge, and all of the other aspects of human existence. The camel embraces these challenges in the name of duty and nobility.



#2: The Lion

Nietzsche goes on to describe how the camel ultimately enters “the loneliest desert” before becoming a lion. The lonely desert metaphor can be interpreted as follows: The camel has sought out and invited the struggles that life has to offer. In doing so, it has become alienated to a certain extent. It has become different from others and from the society that produced it; it finds itself questioning everything, both its worth and the value of its pursuits.

The desert can be seen as a place of existential crisis, where the camel ponders whether or not any universal laws or virtues exist to guide it and give it purpose. For Nietzsche, such universal virtues and absolute purpose do not exist. The camel is forced to confront this possibility, and thus, the camel must become a lion. Nietzsche writes:

“Here the spirit becomes a lion who would conquer his freedom and be master in his own desert. Here he seeks out his last master: he wants to fight him and his last god; for ultimate victory he wants to fight with the great dragon. Who is the great dragon whom the spirit will no longer call lord and god? “Thou shalt” is the name of the great dragon. But the spirit of the lion says, “I will.” “Thou shalt” lies in his way, sparkling like gold, an animal covered with scaled; and on every scale shines a golden “thou shalt.” My brothers, why is there a need in the spirit for the lion? Why is not the beast of burden, which renounces and is reverent, enough? To create new values—that even the lion cannot do; but the creation of freedom for oneself for new creation—that is within the power of the lion. The creation of freedom for oneself and a sacred “No” even to duty—for that, my brothers, the lion is needed. To assume the right to new values—that is the most terrifying assumption for a reverent spirit that would bear much.”

When the camel discovers that universal truth and virtue may be non-existent, it has two choices: it can reject life as meaningless and probably commit suicide, or it can claim its own freedom and create its own meaning and virtue. To become Overman, the camel must obviously do the latter; it must ascend. To do this, the camel must destroy the largest barrier to true freedom: the duty and virtue imposed by tradition and society. This is what Nietzsche’s great dragon represents. The dragon of THOU SHALT, commanding the camel and a great many other camels that thou shalt go to school, thou shalt be obedient, thou shalt get a job, thou shalt marry a woman and have kids, thou shalt this and that and the other. The dragon of “THOU SHALT” can also be seen as simply representing everyone who would try to tell one how to live one’s life.

The camel must reject this dragon of tradition and commands, but it cannot in its current, duty-loving form. Thus, it must become a lion. Its trials have allowed it to attain enough strength to become a lion. The lion symbolizes courage, tenacity, disillusionment, and even rage. Only in this state is the spirit able to deliver the “sacred “No.”” The “sacred “No”” represents the utter rejection of external control and all traditional values. Everything imposed by other individuals, society, churches, governments, families, and all forms of propaganda must be denied in an empowered roar.

That is not to say that the lion believes all virtues and values imposed by such entities to be evil or corrupt. Indeed, they could be useful and good. However, it is the fact that they come from an external authority that requires their rejection. An Overman is an absolute individual, and thus must create his own values on his own terms.



#3: The Child
After the spirit has delivered the sacred "No", it still requires one last metamorphosis before ultimately becoming the Overman.

“But say, my brothers, what can the child do that even the lion could not do? Why must the preying lion still become a child? The child is innocence and forgetting, a new beginning, a game, a self-propelled wheel, a first movement, a sacred “Yes.” For the game of creation, my brothers, a sacred “Yes” is needed: the spirit now wills his own will, and he who had been lost to the world now conquers his own world.”

So, Nietzsche holds that the lion must again transform in order to forget. The spirit has undergone much duress and turmoil in its transformations, but it must cleanse its mind of the past. In delivering a “sacred “Yes””, the child affirms the moment, affirms uncertainty, and affirms the flux of life. The child becomes a self-propelled wheel, just as life can be viewed in the same terms. The child elects to roll with life, dance and play with it.

Ultimately, for Nietzsche, pure creation arises from this state of play. When one can achieve a child-mind — a mind immersed in the moment and filled with wonder and playfulness — then one can will his own will, create his own virtue, and thus create his own reality. In undergoing this final metamorphosis, the spirit overcomes itself, conquers its world, and reaches the state of Overman. The spirit achieves liberation.
 
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