98% of teens switched to rap

Hey dumbshit, if I make up a rap song for you, will you do me a blistering solo?
Freestyle on the bass for me a jazz solo?
Do a drum battle with me?

Thats what I thought, YOU CANT.

 

That's cuz ur a dumb ass, first of all, i wasnt talking to u, 2nd of all, you wouldnt be able to come up with a rap on the spot that makes sense.
3. I can play the bass, ive been playing it for a year now.
4. Ive been playing the drums for half a year, i probably would not win, but atleast i try new stuff out. Rap, drums, bass...i would not call me dumb. Asshole.

 

98% of teens listning to rap is completely untrue as well, I'd say only 30% of them do.

 

I haven't switched, i always stayed with rap

 

rap is gay .. heavy metal has a meaning to its songs like rock .. rap is just ppl singin bout killing and women and cash .. nuth nbut retards talking with a beat ..

 

Close this thread please, people are flaming and are responding as they have very little intelligence. Read the fucking sticky at the top.

 

Another reason why rap is bad. All you do is think about guns. The size of your gun doesn't matter whatsoever. Well at least most of us think so, go be gun-happy somewhere else, NRA-anal-troll.

Let me write it in big letters.

NO ONE CARES ABOUT YOUR STATISTICS
You are so hell-bent on statistics its pathetic. You still think statistics are the answer? Go ram your brain full of FDA labels and stuff, telling us how chemo will save your life. I hope you get cancer, cause I'm sure the stats on chemotherapy will sure save your damn life (Hopefully I'm right and you die an agonizing death).

Sadly, you are just bitter over my signature. Your obsessive compulsive behavior to prove me wrong, once again, takes the back seat.

Oh and to finally shut you up, can you upload the picture, get your idiotic sentence out, and just resign peacefully knowing everyone but me cares?
Wowowowowowoowowow.

If I recall correctly, you trolled in bad english in a bunch of other threads.
H-y-p-o-c-r-i-t-e.

 

That has to be sigged.

There is no other side. Rap sucks, metal triumphs. There is no flipside.

Duh, lol. Obviously.

I do have to respect your for that one though. Forums are for posting ideas, why not continue?

OOC will result in the same garbage IC.


Oh and also, last time some guy tried that he tried to keylog me. He failed, but tried. I do not trust anyone. I'm not saying you would-- I don't see you as the "keylogger" type. Regardless I'm not doing that. Forums are here for a reason.

 

As i said this homosexual cries when people do not agree with him.

 

lol yea its stupid but my sig that i innovated from that is good

 

Well it seems we have gone to ENG101 like I said and brushed up on our grammar. I admit is nice to see a poorly constructed flame with good english, then a poorly constructed flame with terrible english like "u suk lol".

At least I helped make you better, thats all I really care about. I'll go back to crying blood now.

 

i listen to rock whenever and i skate to rap.

 

I'm so sick of American Kids and I'm one HA! Sometimes I feel like I'm alone, I seriously wonder what the future of the world is if everyones pimps and all the girls are whores.. Hmm.. We will all pimp in our white tees and comment each others friend myspace pictures

"man dont diss me man or i blow u up wit ma missle man i bring ma homies nd we own cho ass" - President Jeezy

" man bring ti man u psusy shit man get outsa ma face" - President Pimp

I'm not a racist, Trust me. Dont belive me? I dont care.

 

Ok, I'm joining the argument.

First, I'd like to say my favorite type of music is metal (progressive metal to be specific). I also like rock. My favorite bands are Dream Theater, Opeth, Iron Maiden, and the Beatles.

While we're on the topic of statistics, I'll just make some of my own.

I'd say 97 or 98% of rap is SHIT. Pure SHIT. Examples: 50 Cent, Lil' Jon, whatever.

THERE IS AN EXCEPTION. The Wu-Tang Clan. Their album Enter the Wu-Tang (I think that's what it's called) is WITHOUT A DOUBT the greatest rap album of all time. Of course that's not saying much, but it really is a great album, musically and lyrically.

I think saying that rap sucks is generalizing too much. There is (very little) good rap. It's just (very) hard to find.

A more accurate statement would be: "most rap sucks."

And most metal owns .

 

its bullshit cause people just make up those numbers

 

TOTAL BULLCRAP.
98% my ass, you got alot of other genres where ppl listen to, and you can never ever be that accurate, and rap isnt the best genre that is, becuase its just a beat, played over and over again, and some negro with dollar signs in his eyes talking about his bitches, money, cars, houses, etc.... Always swinging around with golden chains. They look just like those slaves (no offense) that came on a boat, also with chains, its total bullcrap, rap....
They are so wealthy, but what do they do with their money? They should better give away half of it to theirs so-called bro´s and sisters in poor neighboorhoods (or what they call: da hood, yo tha ghetto*) or in 3rd world countries.

and rock? 98%? Also total BULLCRAP, you have way too many genres in rock, and I knows lots of ppl who dislike rock, so.....

people have to stop stereotyping genres!


*who is actually proud to live in a ghetto, because they put yews in ghettos in 1939-1945 to seperate them from the other ppl. Who wants to be negatively seperated, and put in a group? Whats cool about saying: Yo, im from tha ghetto, street life, nigga. its stupid!

 

Actually Eminem does rap about all three: money/drugs/girls.
Example 1: His wife Kim. [girls]
Example 2: Rap about drugs:
"Tired of people saying they're tired of hearing me rap about drugs"
Link: http://www.azlyrics.com/lyrics/eminem/ifihad.html
This goes against your comment about him never rapping about drugs, as he says people are 'tired' of hearing him rap about drugs, meaning he raps about it a lot.

Example 3: Rap about money:
"What is money?
Money is what makes a man act funny
Money is the root of all evil
Money'll make them same friends come back around
swearing that they was always down"
Link:http://www.azlyrics.com/e/eminem.html

From what you've stated you don't know jack squat about rap, now stfu and go look into the mirror at the fuck up you are.

 

If it takes no talent, just like annex said, why don't you become one?
You get wealth, and almost everything else you want.
Don't try to use 'i can't degrade myself to become rapper' excuse.
We all know your some kid sitting on your chair jerking off to some flick, you want money, girls, and cars.
Now answer, if it takes no talent, why isn't everyone a rap star?
You stating you have some respect for street ones, if I was a street rapper, I'd spit in your face, as you having respect for me would be a total insult to me.
Get your facts straight.

 

Have you ever even picked up an instrument? Any true musician will get a euphoric headrush just from playing and having fun. Instruments are used to generate sound waves. Yes, it takes an infinate amount of more talent then rap, and yes its harder.
But then again, jogging is hard. Though those who jog don't die of heart attacks.
Infer my example from the analogy, I refuse to type more when I'm sure you know exactly what I'm talking about.

Iron Maiden is so popular they have their own personal jet (yes jet, not helecopter).
Guess you are right after all?

Don't try and debunk the truth. I'm sure its much harder to master instruments then throw rhymes out there and jump up and down on stage. Or maybe I'm the only one here who thinks me playing drums 2+ hours a day takes less talent then some guy who uses basic English words.
At least I'm a godlike metronome.

We all know you want to see that. Lets not split hairs, just because you are frazzled at the fragile truth of musicians being better then your entire argument, doesn't mean you can lower your standards to using sexual references. Usually that means you lost the battle anyways, so whatever. Thanks for resigning.

Because black belts decide to enter white belt tournaments and kick all their asses. Analogy #2 for the total win.

When I was on a bus, we beat (me + some metalheads) the shit out of some rapper who told us our music sucked and flamed us in front of a crowd. We weren't even talking to him... just discussing our favorite bands. The faggot got what he deserved.
Feel free to come spit on me anytime though, apparently its illegal (Why I don't know, but I wouldn't want your AIDS)

Enjoy this. Fact-ignorant-whore.


Describing the (disenchanting) chanting of “Rap Music” as singing or as music is indeed (in either case) a capital misnomer. Real Music is the careful arrangement of organized sounds in the form of notes that then result in a smooth blend of rhythm, tone, and pitch that when united, is quite pleasing to the ear. Rap is not music. The unpleasant-sounding horror is chaotic dissonance and certainly not elegant consonance. Rap is veritable noise pollution that is tastelessly amplified from a cumbersome boom box. Generally speaking, unlike black soul music and traditional black rhythm and blues, Rap is both heartless and soulless. Standard love songs show respect and consideration for a member of the opposite gender but most contemporary Rap lyrics promote a hedonistic “me first” ghetto survival theme that is cruelly perpetuated upon its afflicted listening audience.
When Rap songs first appeared I believed that the clamorous nonsense would be another fad phenomenon that would gradually vanish like ‘70s disco music had slowly but surely lost its clout (along with our attendant intrigue and curiosity). But unfortunately the dunce-like Rap lyrics herald the worst elements of society and the brazen inflammatory words glamorize sex, drugs, random and deliberate violence’ and gang intimidation themes that through-and-through reek with sexism, racism and the glorification of the ghetto mentality.
In most Rap song themes the dysfunctional dregs of the inner city are elevated to hero status while the “entertainers” sound like disgruntled grunting angry contemporary cavemen’ who are advocating the downfall of “white America” with vitriolic words expressing rage, rebellion and social revolution. This expansion of the “easy-money anti-establishment ghetto mentality” is fueling resentment and hostility among “disenfranchised” inner city youth as well as contaminating the gullible and vulnerable minds of suburban teens. But the entire reprehensible in-progress-brainwashing technique that “Rap Music” demonstrably utilizes is both a sham and a canard that is trafficking affected teens down a treacherous One-Way-Street that leads only to a permanent lackluster socio-economic cul-de-sac. What a pathetic and ignoble social disaster!
In the ‘50s and early ‘60s black rhythm and blues imaginatively captured the hopes, the dreams, the ideals and the aspirations of both white and black teens as portrayed in the quality music of Chuck Berry and Fats Domino. Early black music was a unifying force in America. True, Little Richard’s music was a tad rebellious but it was not downright dirty, immoral or degrading like modern rap is. The early ‘50s black artists’ songs paralleled the dreams of both white and black America and the entire country was basically on the same musical wavelength.
And then this constructive and positive racial parallelism continued into the early ‘60s with the establishment of Detroit’s Motown where both black and white society shared a common interest in radio renditions of the ideal boyfriend, the ideal girlfriend, the ideal teen relationship and the music beneficially emphasized the stability that typical teenage romance provided. The Temptations, the Supremes, the Shirelles, the Marvelettes, Stevie Wonder, Lionel Richie, Mary Wells, Smokey Robinson, The Four Tops and Martha and the Vandellas all espoused “civilized relationships” between males and females and their songs genuinely advanced the perpetuation of commonalities in our great American culture.
Ironically white performers were very instrumental in contributing to the origins of “Rap Music.” Certainly Blondie’s Debbie Harry’s classic rendition of “Rapture” and the Beastie Boys’ amusing “Fight For the Right To Party” preceded the appearance of more radical rappers like Vanilla Ice and Eminem. And M.C. Hammer’s unique song “Can’t Touch This!” gave Rap a happy monicker and the lively tune showed both versatility and great potential for the development of new sounds in the recording industry. But then Run DMC, Public Enemy, Ludacris (Whatever happened to standard spelling?), 50 Cent (Whatever happened to the idea of plural usage in English grammar? I mean, I’ve heard of one cent!) and oh yes, Eminem and other rappers gradually emerged and began shouting and ranting words that featured intimidation, class conflict, hatred of authority (including police, parents and teachers), defiance, insolence, animosity, conflict and racial divisiveness.
“Rap Music” is both uninspiring and generally counterproductive to the “good of the order.” The scurrilous pox lionizes a mediocre ghetto existence as the epitome of human pursuit. “Rap Music” is essentially non-creative no matter how creative its performers think they are in writing it or in presenting it. And the rappers have the unmitigated audacity to describe themselves as “artists.” Well, Michelangelos, Leonardo Da Vincis, Picassos and Rembrandts most of those arrogant buffoons are not. And few rappers can actually sing a strong note like Elvis Presley, Johnny Mathis, Jay Black and Ray Charles could! Most rappers can just robotically shout, yell, holler, drivel, rant, slobber, prattle and babble in rubbish junkish mechanical non-poetic lyrics that lack imagination, inspiration and rhetorical quality. And the egocentric rappers’ amoral anthems are designed to corrupt American society and tear it down to the dangerous and literal “dog-eat-dog” human condition that realistically exists and flourishes in American slums.
Why isn’t “Rap Music” genuine music? Because Real Music possesses two authentic characteristics: it has grace and beauty, two marvelous components that “Rap” sadly lacks. Rap tunes usually are nothing more than one monotonous beat accompanied by certain anti-social mantras repeated over and over again. Real Music usually has singing associated with it but Rap only pretends to be music with relentless “in your face” threatening lyrics and assorted menacing hand and face gestures. Real Music has a variety of instruments while Rap is ordinarily arranged with only a hypnotic drumbeat and perhaps a guitar accompanied by some hyperactive dolt wildly scratching a record surface. Standard songs are generally arranged in a clever A-B-A verse pattern or rhythm format and most “Rap Music” just sounds like a flat tire riding and rumbling over a series of bumpy dirt roads. There are few chords (piano, guitar or otherwise) exhibited in “Rap Music” and the dictatorial didactical tone of voice that is exhibited (a substitute for real singing) is quite deficient in acceptable harmony and melody. In short, “Rap Music” is a one-dimensional medium and is devoid of both width and breadth. It is shallow and hollow linguistic jargonized anger-oriented ghetto garbage. “Rap Music” is analogous to looking at a rainbow having only one dull color.
High-profile black leaders like Jesse Jackson and Al Sharpton should demonstrate the courage to condemn and denounce “Rap Music” that ostentatiously promotes negative and pessimistic views of American culture along with perpetuating anti-social attitudes. For the most part (with few exceptions) Rap is quite detrimental and deleterious, and the repugnant curse is the antithesis of all that is good for the betterment of America. “Rap Music” extols a subversive counter-culture that undermines all that is advantageous about the USA. It is an adverse divisive force that pits parents against their children, rich against poor and teens against authority. Certainly it doesn’t take much of a genius to concoct lyrics that come up with diabolical rhyming words for “ditch and witch” and for “duck and luck!”
Of course the self-indulgent rappers insist that they are fine examples teaching inner city kids the value of free enterprise and becoming successful junior entrepreneurs in a capitalistic economy by having the impressionable juveniles tailor their activities after their role-model mentors’. But the stark truth is that less than one percent of prospective rappers ever hit the jackpot with the remainder of aspirants finding a dismal crock of fools’ gold at the end of their rainbows. Like everything else from publishing to professional sports and from Wall Street to Main Street, only the top three percent of the participants wind-up making the big bucks while the remainder of the wannabes’ in any given profession founder and flounder in defeat and mediocrity.
The “Rap Music Industry” is no different than the rest of capitalistic America is in terms of its low percentage of success stories. Most of Rap’s juvenile adherents are doomed to mediocre futures with dead-end minimum wage jobs at best (if they don’t become criminals in the meantime) and if the kids actively espouse the ghetto lifestyle as indicated in rap song lyrics, then those youngsters are truly heading in the wrong direction that will guarantee them lives fraught with conflict with society, with adult authority and the with the law. There is no doubt in my mind that the Rap Record Industry exploits and corrupts both the consciences and the hearts of inner city and suburban kids that gravitate to “the sound” and addictively like listening to it.
“Rap Music” is both a divisive force and a toxic influence in American society. The pestilence praises the “ghetto mentality model” as a model worthy of imitation and the cultural epidemic (that the rampant social cancer is) has up-to-now generated little redeeming value. “Rap Music” mercilessly reduces mankind to a base biological existence and it insidiously subverts the spiritual and the intellectual aspects of human beings’ mental and emotional composition. If human life could be expressed as a mathematical division problem, then according to the rappers’ persistent messages, the lowest common denominators of all human relationships are sex, drugs, anger, contempt and rebellion. “Rap Music” connotes a disdain for self-sacrifice for others, it suggests (by omission) an aversion for social commitment and for community service, and it advances (by omission) a despising of individual responsibility and an apparent antipathy for standard accepted interpersonal morality and ethics.
In the final analysis “Rap Music” undermines basic human charity, human decency and human consideration for the rights and properties of others. In the overall “Rap Music” scenario, hate has replaced tolerance, self-gratification has replaced prudence, arrogance has replaced humility and hostility has replaced compassion. To add to the ongoing dilemma other benign abstractions also have been viciously assaulted. In the “Rap Music World” defiance has replaced respect, sex has replaced courtship, using others for personal gain has replaced basic courtesy and wanton rape has replaced teen romance.
“Rap Music” (in general) is definitely a harmful and dangerous factor to American civilization because the colossal scourge equates (in innocent adolescent minds) pervasive corruptive moral fallacies purporting that: adventure tragically equals thugs and drugs, that freedom is social anarchy, that love is the same thing as sex, that justice is a vigilante-oriented lifestyle, that truth can only be represented as deplorable ghetto misery, that honor is nothing more than revenge and last but not least, that Thomas Jefferson’s “Pursuit of happiness” is really only the pursuit of selfish pleasure. In conclusion, the flimflam known as “Rap Music” is not bona fide music because the blight is without grace, without beauty and without love, the fundamental truly joyous qualities that are vitally necessary in order to make life both satisfying and worthwhile in any given civilization.

 

First, I can too ersatz an entire page from sites.

Now, for your primordial averment yes I have played an instrument before, back in Grade 9 I use to play drums.

Your spelling of helicopter goes to show the amount of intellectual IQ you have.

Link: http://www.youtube.com/watch?v=Env5iMrBjws
I would argue that one practices hypocrisy as the video proves. Metal heads not only jump up and down on stage, make total cretins of themselves, and smash there heads on the floor, and also smash each others instruments into each others heads. Now, is that worse, or mere jumping up and down on the stage?
Any person would know that musicians jump up and down on stage from the adrenaline rush given to them by both their music and fan base.

You think that rappers don't go on and on for 2+ hours? You think your the only one who practices? Sythe is no place for your bitching, if your life is garbage then that's your problem, don't bring your whining here. About your remark saying rappers use 'basic English words':
Link: http://www.youtube.com/watch?v=CISn2iCo94w

Actually, in my opinion people like Led Zeppelin, and Jimmy Hendrix are 'Godlick metronomes', not some kid who sits behind his computer jerking off to guitars and drums sticks all day.

This makes no denotation as the climactic allotment I've checked and construed upon, Rap artists are musicians.

You still have not answered my question, if rap takes no forte or dexterity then why isn't every bipedal a rap star?

It is yet as picayune for me to make up a fictitious story about me beating on some metal head junkies/red necks/hill billies.
And if this story is true, which I know is 100% fabricated, it's sad to see that you + a bunch of your metal head/junky/hill billy friends beat on one individual.

You don't need to give me permission to spit in your face, if I knew you in real life and felt like it needed to be done, it would.
And a side note: You saying you don't want my AIDS, I know exactly why you said that. Reason being is that you are being a racist, you think that I'm black in real life and have AIDS. Blacks being majority of people with AIDS is why you have said that. I think anyone who reads his comment will read between the lines and know exactly what it is that I'm getting at.
And by the way, I'm not black.

And about your last paragraph, I have other things to do in life then to sit here and argue/debate with some hill billy metal junky. I'm not even going to bother reading it, as I read the first sentence, and it shows the characteristics of both a cretin, and obtuse person, who is sad and depressed of their real life struggles.

Go look after the 20+ children you fathered [which all came from your sisters of course], and stop beating on your cracker head children, you metal head junkie.